This is a demonstration of a parallel high-shelf eq/filter that I designed after finding out about the Kush Audio Clariphonic. I’m going to make an API500 module from that and insert it on my main/center microphone. Check out the video, but stay tuned for schematics on this blog later on.
Lately I’ve been craving for more natural or real-world production methods in my music. What I mean by that is something like physical production. Plate or spring reverbs are one example: letting phenomena of the physical world influence recordings and tracks.